richards & brown
Robert Browning was an English poet and playwright of the Victorian era.
Browning's father, a bank clerk in London, was a very accomplished man, a collector of books and paintings, an artist and a scholar. He gave his son the basics of Greek and Latin, as well as classical literature. Browning re-read many books from his father's extensive library and also attended classes at the University of London. In 1834 Robert Browning traveled to St. Petersburg and later visited Italy. Between
1832-46 he wrote his early long poems and most of his plays. Browning's first published work was "Pauline" (1833); this dramatic monologue was highly emotional. In 1835 he published the poems "Paracelsus" and in 1840 "Sordello," which are about men of great talent trying to come to terms with the demands of the world.
In 1868-69. Browning published his major work, a novel in verse, The Ring and the Book, based on the trial of a murder case in Rome in 1698. Grand in conception and execution, it was immediately well received by the public, and Browning became a major figure in the history of English poetry.
Wilhelm Richard Wagner was a German pioneering composer, conductor and opera reformer.
His first proper Symphony in C major was performed at the Leipzig Gewandhaus concerts in 1833. Wagner lived in a colony of poor German artists and made his living in music journalism. Nevertheless, in 1841 he wrote his first representative opera, The Flying Dutchman, based on the legend of a ship captain doomed to sail forever. In 1842 his Rienzi was triumphantly performed in Dresden, after which Wagner was appointed conductor of the court opera and held this position until 1849.
In 1848-49 Wagner became involved in the German Revolution, wrote a number of articles in support of it, and took an active part in the Dresden Uprising of 1849. When the uprising failed, he was forced to flee Germany. His subsequent years were occupied mainly with writing theoretical treatises on philosophy and music. Wagner held anti-Semitic and Nazi views. And reflecting on the future of music, he predicted the disappearance of opera as an artificial entertainment for the elite and the emergence of a new kind of musical stage work for the people, expressing the self-realization of free humanity. This new work was later called "musical drama."
By 1857 his style had been enriched with new interpretations, and Wagner had composed "Rheingold," "Die Walküre," and two acts of "Siegfried." By 1864, however, unwise financial habits had driven him into debt and ruin, and he was forced to flee from prison to Stuttgart. He was rescued by King Louis II, an ardent admirer of Wagner's work. Under his patronage for six years in Munich, the composer's operas were successfully staged. The King also practically ensured him a trouble-free life, thanks to his support Wagner built his own opera house (Bayreuther Festspielhaus), in which many new constructive ideas were realized. The premiere of "The Ring" and "Parsifal" took place here.
As a result of all Wagner's creative innovations and methods, a new kind of art emerged, the distinctive feature of which was a deep and complex symbolism, operating in three inseparable planes - dramatic, verbal and musical. He had a significant influence on European musical culture, especially on the development of opera and symphonic genres.
Richard Wagner's major works include The Flying Dutchman (1843), Tannhäuser (1845), Lohengrin (1850), Tristan und Isolde (1865), Parsifal (1882), and his great tetralogy, The Ring of the Nibelung (1869-76).
Richard Parkes Bonington was an English Romantic landscape painter, who moved to France at the age of 14 and can also be considered as a French artist, and an intermediary bringing aspects of English style to France. Becoming, after his early death, one of the most influential British artists of his time, the facility of his style was inspired by the old masters, yet was entirely modern in its application. His landscapes were mostly of coastal scenes, with a low horizon and large sky, showing a brilliant handling of light and atmosphere. He also painted small historical cabinet paintings in a freely-handled version of the troubadour style.
Pierre-Auguste Renoir was a French artist, celebrated as a pivotal figure in the development of the Impressionist movement. Born in Limoges, France, in 1841, Renoir's early experiences in Paris and his apprenticeship as a porcelain painter laid the foundation for his illustrious career in art. His transition to painting was marked by an early fascination with the play of light and color, which became a hallmark of his work. Renoir's paintings are renowned for their vibrant light and saturated color, often focusing on people in intimate and candid compositions. This focus on beauty and a particular affinity for capturing the sensuality of the female form distinguished his work from his contemporaries.
Renoir's contributions to Impressionism were significant, characterized by his use of bright colors and a technique that captured the movement and luminosity of the scene. His evolution as an artist saw him experimenting with a more linear and classical style, especially after his travels to Italy, where he was deeply influenced by the Renaissance masters. Despite facing personal challenges, including severe rheumatoid arthritis in his later years, Renoir's passion for painting never waned. His determination saw him adapting his painting technique to his physical limitations, ensuring that his creative output remained prolific until his death in 1919.
Among Renoir's notable works are "Bal du moulin de la Galette" (1876), "Luncheon of the Boating Party" (1880), and "Girls at the Piano" (1892). These masterpieces exemplify the essence of Impressionist art with their depiction of light, movement, and everyday life. Renoir's works are housed in prestigious museums around the world, serving as a testament to his enduring legacy in the realm of art.
For art collectors and experts, Renoir's oeuvre represents an essential segment of the Impressionist movement, offering insights into the evolution of modern art. His mastery in portraying the beauty of the moment and the depth of human emotion continues to captivate and inspire audiences worldwide.
If you are passionate about collecting or studying the works of Pierre-Auguste Renoir, we invite you to sign up for updates on new product sales and auction events related to this iconic artist. Stay informed about the opportunity to own a piece of art history and deepen your appreciation for the rich tapestry of culture and art that Renoir helped weave.
Richard Heß is a contemporary German painter, sculptor and graphic artist.
Richard Heß is a contemporary German painter, sculptor and graphic artist.
Christopher Richard Wynne Nevinson was an English figure and landscape painter, etcher and lithographer, who was one of the most famous war artists of World War I.
Richard Smith was an English painter and printmaker. Smith produced work in a range of styles, and is credited with extending the field of painting through his shaped, sculptural canvases. A key figure in the British development of Pop Art, Smith was chosen to represent Britain in the 1970 Venice Biennale.
Works by Smith are in the collections of the Tate Britain, London, Museum of Modern Art, New York, and the Minneapolis Institute of Art, Minnesota.
Richard Scheibe was a German artist primarily remembered as a sculptor. He trained as a painter, and taught himself to sculpt beginning in 1906. From 1925-1933 he taught at the Städelsches Kunstinstitut in Frankfurt am Main. He was dismissed from teaching when the Nazis seized power but was reinstated in 1934. He received various recognitions during the Third Reich, including the Goethe-Medaille für Kunst und Wissenschaft and placement on the Gottbegnadeten list. After World War II he continued to sculpt, including a figurative piece for the Memorial to the German Resistance. His work was also part of the sculpture event in the art competition at the 1928 Summer Olympics.
Richard Julian Long is an English sculptor and one of the best-known British land artists.
Long is the only artist to have been short-listed four times for the Turner Prize. He was nominated in 1984, 1987 and 1988, and then won the award in 1989 for White Water Line.
Richard Diebenkorn was an American artist. He was known for his abstract expressionist and later, figurative paintings that explored color, form, and space.
Diebenkorn studied at the University of California, Berkeley, and later at the California School of Fine Arts in San Francisco. In the 1950s and early 1960s, he was associated with the Bay Area Figurative Movement, which emphasized figurative painting in opposition to the prevailing trend of abstract expressionism.
In the mid-1960s, Diebenkorn moved to Southern California, where he began to develop his signature style of abstract paintings that featured large, geometric shapes in muted colors. His Ocean Park series, which he began in the late 1960s, is perhaps his most famous body of work, and is characterized by its luminous, layered surfaces and complex compositions.
Diebenkorn's work has been exhibited in major museums and galleries around the world, and he is widely regarded as one of the most important American painters of the 20th century. His influence can be seen in the work of many contemporary artists working in the fields of abstract painting and color field painting.
Wilhelm Richard Wagner was a German pioneering composer, conductor and opera reformer.
His first proper Symphony in C major was performed at the Leipzig Gewandhaus concerts in 1833. Wagner lived in a colony of poor German artists and made his living in music journalism. Nevertheless, in 1841 he wrote his first representative opera, The Flying Dutchman, based on the legend of a ship captain doomed to sail forever. In 1842 his Rienzi was triumphantly performed in Dresden, after which Wagner was appointed conductor of the court opera and held this position until 1849.
In 1848-49 Wagner became involved in the German Revolution, wrote a number of articles in support of it, and took an active part in the Dresden Uprising of 1849. When the uprising failed, he was forced to flee Germany. His subsequent years were occupied mainly with writing theoretical treatises on philosophy and music. Wagner held anti-Semitic and Nazi views. And reflecting on the future of music, he predicted the disappearance of opera as an artificial entertainment for the elite and the emergence of a new kind of musical stage work for the people, expressing the self-realization of free humanity. This new work was later called "musical drama."
By 1857 his style had been enriched with new interpretations, and Wagner had composed "Rheingold," "Die Walküre," and two acts of "Siegfried." By 1864, however, unwise financial habits had driven him into debt and ruin, and he was forced to flee from prison to Stuttgart. He was rescued by King Louis II, an ardent admirer of Wagner's work. Under his patronage for six years in Munich, the composer's operas were successfully staged. The King also practically ensured him a trouble-free life, thanks to his support Wagner built his own opera house (Bayreuther Festspielhaus), in which many new constructive ideas were realized. The premiere of "The Ring" and "Parsifal" took place here.
As a result of all Wagner's creative innovations and methods, a new kind of art emerged, the distinctive feature of which was a deep and complex symbolism, operating in three inseparable planes - dramatic, verbal and musical. He had a significant influence on European musical culture, especially on the development of opera and symphonic genres.
Richard Wagner's major works include The Flying Dutchman (1843), Tannhäuser (1845), Lohengrin (1850), Tristan und Isolde (1865), Parsifal (1882), and his great tetralogy, The Ring of the Nibelung (1869-76).
Richard Ernst Artschwager was an American painter, illustrator and sculptor. His work has associations with Pop Art, Conceptual art and Minimalism.
Richard Diebenkorn was an American artist. He was known for his abstract expressionist and later, figurative paintings that explored color, form, and space.
Diebenkorn studied at the University of California, Berkeley, and later at the California School of Fine Arts in San Francisco. In the 1950s and early 1960s, he was associated with the Bay Area Figurative Movement, which emphasized figurative painting in opposition to the prevailing trend of abstract expressionism.
In the mid-1960s, Diebenkorn moved to Southern California, where he began to develop his signature style of abstract paintings that featured large, geometric shapes in muted colors. His Ocean Park series, which he began in the late 1960s, is perhaps his most famous body of work, and is characterized by its luminous, layered surfaces and complex compositions.
Diebenkorn's work has been exhibited in major museums and galleries around the world, and he is widely regarded as one of the most important American painters of the 20th century. His influence can be seen in the work of many contemporary artists working in the fields of abstract painting and color field painting.
Richard Parkes Bonington was an English Romantic landscape painter, who moved to France at the age of 14 and can also be considered as a French artist, and an intermediary bringing aspects of English style to France. Becoming, after his early death, one of the most influential British artists of his time, the facility of his style was inspired by the old masters, yet was entirely modern in its application. His landscapes were mostly of coastal scenes, with a low horizon and large sky, showing a brilliant handling of light and atmosphere. He also painted small historical cabinet paintings in a freely-handled version of the troubadour style.
Richard Bloos was born in Brühl in 1878 and attended the Art Academy in Düsseldorf, where he studied under Peter Janssen, Willy Sparrow and Forberg. After a stay in Paris from 1906 to 1914, Bloos lived until his death in Düsseldorf in 1957. He participated in the exhibitions of the Münchner Sezession and the salon of the Société National des Beaux-Arts in Paris. The artist’s preferred motifs are lively figure scenes.
Richard Parkes Bonington was an English Romantic landscape painter, who moved to France at the age of 14 and can also be considered as a French artist, and an intermediary bringing aspects of English style to France. Becoming, after his early death, one of the most influential British artists of his time, the facility of his style was inspired by the old masters, yet was entirely modern in its application. His landscapes were mostly of coastal scenes, with a low horizon and large sky, showing a brilliant handling of light and atmosphere. He also painted small historical cabinet paintings in a freely-handled version of the troubadour style.
Richard Bloos was born in Brühl in 1878 and attended the Art Academy in Düsseldorf, where he studied under Peter Janssen, Willy Sparrow and Forberg. After a stay in Paris from 1906 to 1914, Bloos lived until his death in Düsseldorf in 1957. He participated in the exhibitions of the Münchner Sezession and the salon of the Société National des Beaux-Arts in Paris. The artist’s preferred motifs are lively figure scenes.
Giovanni (Gio) Ponti was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher.